Ultracontact

Frottage in the street is more like robbery than copying because of its direct transfer to another material that you cannot appropriate. What remains is a dimensional simplification of complex surfaces in their graphic evidence: in this case the content of the flanks on tyres stands out.

From black on black to black on white. In the tyres, different imaginaries are found, sometimes directly relating to the feature of the product, while others stand out completely and lead you to a more intimate dimension. There are references to touch/contact, time, aggressiveness, mechanical performance, ethics, ecology, the seasons, music, and technical information that brings us to its industrial production. The practice will be based on the frottage being collected and catalogued by year, model, and area from which they have been collected, creating an archive over time.