The orchestra, programme and now the publication (in a variety of its content and also externally) is based on what comes ‘before’ the establishment of a language, and on the fact that merely identifying it is already done. This identification, however, must be based on what an object holds (a song, programme, book, drawing etc.) in a sum of gestures (formless and changeable, coming before) for not having been condemned to a final and single result.